So your next show runs even smoother
The show’s over, and your dancers have traded glitter and tights for flip-flops and sun cream. But before you switch off for a well-earned summer break, there’s one last step that can make a world of difference next time around: the post-show wash-up.
A wash-up is simply a moment to reflect on what went well and what you’d do differently next time. It doesn’t have to be formal or take hours – 20 minutes with a notebook and a cuppa can be enough to capture the most valuable insights before they fade.
Here’s how to make your wash-up simple, honest and genuinely helpful:
Start by recognising the wins – big and small. Ask yourself:
Write it all down. These are the things to repeat next year – and sharing them with your team is a lovely way to acknowledge everyone’s hard work.
Next, think about the moments that felt stressful or clunky. No judgement – just curiosity. For example:
Being honest now helps you avoid the same issues next time – or at least be better prepared for them.
You don’t have to do this alone. Ask assistants, older students, chaperones or supportive parents what they noticed. A quick message, voice note or debrief chat can reveal perspectives you might have missed.
You may discover that a backstage moment you were stressing about actually went really well – or that a small issue had a bigger impact than you realised.
Remember: it’s not about blame – it’s about learning.
With everything fresh in your mind, ask the big question:
Knowing what I know now, what would I do differently?
Be specific. Don’t rely on scribbles or shorthand – make your notes clear enough that future-you knows exactly what you meant.
This might be the most important part: don’t let all these golden insights disappear into the summer haze.
Choose a system that works for you:
These notes will be your best friend when show time rolls around again – a shortcut to less stress and an even smoother production.
Before you wrap up, take a moment to recognise everything you achieved. Shows are a huge undertaking – creatively, emotionally, logistically. You did it. Your dancers shone, your team pulled together, and the audience had a great time. That’s worth celebrating.
Once your notes are done and the show tunes finally stop looping in your head, it’s time to switch off. As dance teachers, it’s easy to start thinking about next term before you’ve even finished this one – but a proper break isn’t a luxury. It’s essential.
Here are a few gentle ways to unwind and recharge this summer:
Give yourself permission to slow down. Watch something silly, read books that have nothing to do with dance, or lie in without guilt. You don’t need to be productive to be professional.
If your creative brain starts to fizz, follow it without pressure. Visit a gallery. Watch a performance just for fun. Listen to music with no choreography in mind. You might stumble across next show’s theme without even trying.
If you do get the urge to prep, keep it relaxed:
Small bits of prep now can make next term easier – without eating into your break.
Take stock of how far your students have come – and how much you’ve done to help them grow. Maybe it was one dancer who finally smiled on stage. Maybe a group that nailed their timing. Or maybe… it was just you, juggling a hundred things at once and still delivering a great show.
Celebrate it all. You’ve earned that ice cream.
Next term will be here before you know it – but for now, give yourself the time to rest, reflect and reset. You’re not just recharging for September – you’re laying the foundations for your future.
Have a restful, joyful summer – you’ve more than earned it.
Articles for dance teachers who want to build successful dance schools
— with the occasional bit of news thrown in.
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Girth | 94-104 | 104-112 | 112-119 | 119-132 | 132-138 | 138-145 |
---|---|---|---|---|---|---|
Bust | 56-61 | 61-66 | 66-71 | 71-79 | 79-84 | 84-94 |
Waist | 56-58 | 58-61 | 61-64 | 64-70 | 70-75 | 75-84 |
Hips | 57-64 | 64-69 | 69-76 | 76-85 | 85-90 | 90-99 |
Inseam | 41-50 | 50-57 | 57-64 | 64-71 | 71-75 | 75-77 |
Girth | 141-146 | 146-152 | 152-157 | 157-160 | 160-165 | 165-173 |
---|---|---|---|---|---|---|
Bust | 81-86 | 86-91 | 91-99 | 99-107 | 107-114 | 114-122 |
Waist | 61-66 | 66-71 | 71-79 | 79-86 | 86-97 | 97-109 |
Hips | 84-89 | 89-94 | 94-102 | 102-112 | 112-122 | 122-132 |
Inseam | 74-84 | 74-84 | 74-84 | 74-84 | 74-84 | 74-84 |
The most important measurement is the Girth.
If a dancer is between two sizes, always opt for the larger size.
Because we stock lots of different styles from lots of different manufacturers, we standardise our sizes to make it easier for you.
Girth
With them standing straight, measure from the top of one shoulder, down the fullest part of their chest, through their legs and back up to the same shoulder.
Bust
With their arms down at their sides, measure the fullest part of their chest.
Waist
Ask them to bend to one side and place the start of the measure at the natural indentation. Once they have straightened up, measure from this point around the waist.
Hips
With their feet together, measure around the fullest part of their hips and bum.
Inseam
With them barefooted, measure the inner leg from their crotch to the floor.
Ideas are a great way to organise and share sets of costumes.
Create ideas for shows, scenes, classes or anything else you can think of!
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